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UID:20171104T2017Z-1509826645.733-EO-23199-2671@10.93.0.118
STATUS:CONFIRMED
DTSTAMP:20260811T044149Z
CREATED:20171103T224308Z
LAST-MODIFIED:20181205T175819Z
DTSTART;TZID=America/Vancouver:20171124T160000
DTEND;TZID=America/Vancouver:20171124T173000
SUMMARY: The Emperor and His Poetic Subjects: The Utakai Hajime Ceremony an
 d Meiji Japan
DESCRIPTION: Each New Year\, Japan’s imperial court hosts a ceremony for me
 mbers of the imperial family and general public to read waka poems they had
  composed on a preannounced theme. ​In this presentation\, Gideon Fujiwara 
 chronicles the history of the Utakai hajime and the work of kokugaku (nativ
 ist) scholars in early Meiji to petition for public participation in this e
 vent.
X-ALT-DESC;FMTTYPE=text/html: <h2><strong>Abstract</strong></h2><p>Each New
  Year\, Japan’s imperial court hosts a ceremony for members of the imperial
  family and general public to read waka poems they had composed on a preann
 ounced theme. The <em>Utakai hajime</em> ceremony which had previously been
  conducted exclusively within the court began in the Meiji Period (1868-191
 2) to accept poems from the general populace\, thereby making this elite cu
 ltural practice accessible to the common people. Such changes reflect large
 r social developments\, as well as efforts to make the modern emperor and e
 mpress visible to the public and build a nation of subjects who would parta
 ke in the tradition of waka composition passed on for over a millennium.</p
 ><p>​This presentation chronicles the history of the <em>Utakai hajime</em>
  and the work of <em>kokugaku</em> (nativist) scholars in early Meiji to pe
 tition for public participation in this event. I will consider the history 
 of waka composition by the emperor\, among <em>kokugaku</em> scholars\, and
  within early modern to modern local literary circles. I will introduce poe
 ms featured in the ceremony\, and show the trajectory of this ceremony’s de
 velopment through the Meiji period.</p><h2><strong>Personal Bio</strong></h
 2><p>Gideon Fujiwara is an assistant professor in the History Department an
 d Coordinator of Asian Studies at the University of Lethbridge. He teaches 
 courses on the histories of the world\, East Asia\, China\, Japan\, Nations
  and Nationalism\, and Modernity\, as well as Asian Studies. Recent publica
 tions include: “Channeling the Undercurrents: <em>Fūsetsudome</em>\, Inform
 ation Access\, and National Political Awareness in Nineteenth-Century Japan
 \,” <em>The</em> <em>Journal of Japanese Studies</em>(summer 2017 issue) an
 d “Rebirth of a Hirata School Nativist: Tsuruya Ariyo and His <em>Kaganabe<
 /em> Journal\,” <em>Values\,</em> <em>Identity and Equality in Eighteenth a
 nd Nineteenth-Century Japan</em>. Eds. Peter Nosco\, James Ketelaar\, and Y
 asunori Kojima (Leiden: Brill\, 2015). Gideon is completing a book on ethno
 graphy\, <em>kokugaku</em>\, and the experience of community in nineteenth-
 century Japan. Current projects include a history of Tohoku region and stud
 ies of waka composition from Meiji times. Gideon holds a PhD in Asian Studi
 es from UBC and an MA in Japanese Intellectual History from Tohoku Universi
 ty.</p><h3><a href="https://sppga.cms.arts.ubc.ca/wp-content/uploads/sites/
 5/2017/11/gideon-1.jpg">Event Poster</a></h3><p> </p><p> </p>
LOCATION:Room 122\, Allard Hall
GEO:49.269898;-123.253177
URL;VALUE=URI:https://sppga.ubc.ca/events/event/the-emperor-and-his-poetic-
 subjects-the-utakai-hajime-ceremony-and-meiji-japan/
ATTACH;FMTTYPE=image/jpeg:https://sppga.cms.arts.ubc.ca/wp-content/uploads/sites/5/2017/11/gideon-1-1.jpg
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