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UID:20170405T1346Z-1491399962.1315-EO-21963-2671@10.93.0.117
STATUS:CONFIRMED
DTSTAMP:20260512T090438Z
CREATED:20170404T175147Z
LAST-MODIFIED:20181206T002051Z
DTSTART;TZID=America/Vancouver:20170413T160000
DTEND;TZID=America/Vancouver:20170413T180000
SUMMARY: [CANCELLED] The Visual Politics of Walls: Barriers\, Flows\, and t
 he Sublime
DESCRIPTION: **Please note that this event is cancelled. We apologize for a
 ny inconvenience and look forward to seeing you at the next event** Abstrac
 t: As Donald J. Trump’s electoral victory graphically shows\, walls are a h
 ot topic. While ‘globalization’\, with its free flow of capital\, goods\, i
 deas and people characterized world politics after the end of the […]
X-ALT-DESC;FMTTYPE=text/html: <h2><span style="color: #ff0000"><b>**Please 
 note that this event is cancelled. We apologize for any inconvenience and l
 ook forward to seeing you at the next event**</b></span></h2><p><strong>Abs
 tract:</strong><br />As Donald J. Trump’s electoral victory graphically sho
 ws\, walls are a hot topic. While ‘globalization’\, with its free flow of c
 apital\, goods\, ideas and people characterized world politics after the en
 d of the Cold War\, the twenty-first century has witnessed a reassertion of
  physical\, cultural\, and legal barriers. To jam the critical discourse th
 at frames the US-Mexico Barrier and Israel’s West Bank Barrier as moral pro
 blems\, the essay compares twenty-first century walls with the Great Wall o
 f China to explore 1) how walls are not simply material infrastructure\, bu
 t are also structures of feeling\, 2) how they are not simply barriers\, bu
 t complex sites of flows\, and 3) how walls are not simply texts waiting to
  be decoded: they are also sites of nonnarrative affective experience that 
 can provoke the sublime. The goal is to use this non-Western example to und
 erstand the conceptual work and emotional work done by contemporary walls i
 n the West. This comparative analysis thus will ask: What can walls tell us
  about the politics of borders\, identity and foreign policy? The presentat
 ion will include a lecture\, and a screening of Callahan’s latest film\, ‘Y
 ou can see CHINA from here’\, which examines experiences of crossing the Ho
 ng Kong-Shenzhen border.</p><p><strong>About the Speaker:</strong><br />Wil
 liam A. Callahan is professor of international relations at the London Scho
 ol of Economics and Political Science. His most recent book is China Dreams
 : 20 Visions of the Future (OUP\, 2015). Callahan is also a documentary fil
 m-maker: ‘China Dreams’ was broadcast on KCET (Los Angeles) in 2015\, and ‘
 toilet adventures’ (2015) was shortlisted for a major award by the UK’s Art
 s and Humanities Research Council. (For these and other films\, see <a href
 ="http://www.vimeo.com/billcallahan">www.vimeo.com/billcallahan</a>.)</p><h
 2><a href="https://sppga.cms.arts.ubc.ca/wp-content/uploads/sites/5/2017/04
 /0413-Callahan.jpg">Event Poster</a></h2>
LOCATION:Room 120\, C.K. Choi Building
GEO:49.267258;-123.257967
URL;VALUE=URI:https://sppga.ubc.ca/events/event/the-visual-politics-of-wall
 s-barriers-flows-and-the-sublime/
ATTACH;FMTTYPE=image/jpeg:https://sppga.cms.arts.ubc.ca/wp-content/uploads/sites/5/2017/04/0413-Callahan-1.jpg
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DTSTART:20170312T100000
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