Abstract
In the introduction of Chinese philosophy and culture into the Western academy, we have tended to theorize and conceptualize this antique tradition by appeal to familiar Western categories. Confucian role ethics is an attempt to articulate a sui generis moral philosophy that allows this tradition to have its own voice. I will use the aesthetic of the casting of bronzes as an analogy for person-making in the Confucian tradition. That is, this holistic philosophy is fundamentally an aestheticism, grounded in the primacy of relationality and a narrative understanding of person, and is a challenge to a foundational liberal individualism that has defined persons as discrete, autonomous, rational, free, and often self-interested agents. Confucian role ethics begins from a relationally constituted conception of person, takes family roles and relations as the entry point for developing moral competence, invokes a creative moral imagination and the growth in relations that it can inspire as the substance of human morality, and entails a human-centered, a-theistic religiousness that stands in sharp contrast to the Abrahamic religions.
About the Speaker
Roger T. Ames is Professor of Philosophy at the University of Hawai’i and editor of Philosophy East & West and China Review International. He has authored several interpretative studies of Chinese philosophy and culture: Thinking Through Confucius (1987), Anticipating China: Thinking Through the Narratives of Chinese and Western Culture (1995), and Thinking From the Han: Self, Truth, and Transcendence in Chinese and Western Culture (1998) (all with D.L. Hall), and most recently Confucian Role Ethics: A Vocabulary (2011).
His publications include translations of Chinese classics: Sun-tzu: The Art of Warfare (1993); Sun Pin: The Art of Warfare (1996) and Tracing Dao to its Source (1997) (both with D.C. Lau); the Confucian Analects (1998) and the Classic of Family Reverence: A Philosophical Translation of the Xiaojing (2009) (both with H. Rosemont), Focusing the Familiar: A Translation and Philosophical Interpretation of the Zhongyong (2001), and A Philosophical Translation of the Daodejing: Making This Life Significant (with D.L. Hall) (2003). Recently he has undertaken several projects that entail the intersection of contemporary issues and cultural understanding. His Democracy of the Dead: Dewey, Confucius, and the Hope for Democracy in China (with D.L. Hall) (1999), and Confucian Role Ethics: Doing Justice to Justice (forthcoming) are a product of this effort.
Almost all of his publications are now available in Chinese translation, including his philosophical translations of Chinese canonical texts. He has most recently been engaged in compiling the new Blackwell Sourcebook of Classical Chinese Philosophy, and in writing articles promoting a conversation between American pragmatism and Confucianism.
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